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Posts tagged with "ugly sobbing"

What’s four?

(Source: tylerhoechlin)

darren-et-chris:

Klaine story in drawing

(source http://pencilpushingenthusiast.tumblr.com)

michellicopter:

okay so detectivebuttcop’s thing inspired captain-snark’s thing and then i cried for a thousand years and then drew this

HERE’S THE FULL VIEW LINK tumblr why are you a butt

25-28/? favourite photos of the NCIS cast  - TV Guide

(Source: minj500)

hitler-in-the-cupboard:

ilovemyskull:

apoliceboxandadeerstalker:

LITERALLY JUST SPAT OUT MY FUCKING SOUP

image

You know what though

Jim’s little diguises - Rich Brook and Jim from IT - have one thing in common:
They’re both total sweethearts.
They both have a gentle demeanor and seem to care about the women they’re fooling. They’re both anxious around Sherlock. They’re both inoffensive and fuckingadorableohmygod.
They both have a heart.
No one is that good of an actor. The one thing you can’t fake is a heart.
If he was heartless, Molly would be dead. She saw Jim’s face, she was a liability. Why didn’t he kill her? He’d heard all Molly’s stories, he knew she was important to Sherlock, if only a little, so why didn’t he kill her? Why didn’t he threaten her with the gunmen during Reichenbach?
I’ll tell you why. Because Molly is lovely and he cared about her. He purposely excluded her from the threat because he didn’t want to hurt her.
Even during their first meeting at the pool, Jim showed an unusual lack of self restraint “THAT’S WHAT PEOPLE DO!”. His face wasn’t blank, it wasn’t a pokerface like Sherlock’s. He was expressive. He was emotive. He was human.
Jim has a heart.
I think that on the roof during Reichenbach, Sherlock realised this.
He realised that Jim wasn’t acting.
He realised what Jim really wanted: to not be alone; to find someone just like himself; to find  someone not-ordinary. Most of all, he wanted that person to be Sherlock.
Sherlock saw the level of frustration and disappointment and, let’s be honest, sadness on Jim’s face when he thought Sherlock was stupid and ordinary, and when he thought Sherlock would jump to save his friends.
That’s how he beat Jim.
The way he asserts himself on Jim, moving right up into his personal space. Think about it. He never does that. He’s attacked people, usually in self defence, but never anything quite so personal, quite so intimidating.
He’s risking John’s life by doing this. He’s risking the lives of all his friends and he doesn’t care. In those moments, Jim is his primary focus. 

But then, listen to his voice, listen to the things he is saying.
Ordinary people have hurt Jim, there’s no doubt about that.
Sherlock is telling Jim that he isn’t ‘one of them’. He isn’t ordinary.
Sherlock isn’t being cruel, he’s being gentle.

We’re just alike, you and I.

And they are just alike, apart from that one little thing that they don’t have in common:
Sherlock is the good guy who doesn’t have a heart, and it’s his biggest weakness. 
Jim is the bad guy who does have a heart, and it’s his greatest tragedy.

(Source: urukhai)

heartsafool:

#fuck my whole life man this look #the way stiles finishes his sentence like he’s already figured it out #and he’s pissed he’s been kept in the dark #but he’s still ultimately on derek’s side #and he can see the difference between the monsters and derek #and derek picks up on that instantly #and the fucking raw surprise and vulnerability on his face #tyler hoechlin stop accidentally playing derek falling in love with stiles ok #they’re not ready #except that they could be eventually and this will be the look #this is the one that started it all ok #the look that said i get you #i don’t care that you’re a werewolf you’re still not an abomination to me #i will still help you #even if you bitch at me #and you will still tell me to run and try to protect me #and i will still ignore you if it means having your back #and i will never be over this look #just the total openess for a split second before he runs away all pissed off #for getting caught having feelings (via halesparkles)

heartsafool:

#fuck my whole life man this look #the way stiles finishes his sentence like he’s already figured it out #and he’s pissed he’s been kept in the dark #but he’s still ultimately on derek’s side #and he can see the difference between the monsters and derek #and derek picks up on that instantly #and the fucking raw surprise and vulnerability on his face #tyler hoechlin stop accidentally playing derek falling in love with stiles ok #they’re not ready #except that they could be eventually and this will be the look #this is the one that started it all ok #the look that said i get you #i don’t care that you’re a werewolf you’re still not an abomination to me #i will still help you #even if you bitch at me #and you will still tell me to run and try to protect me #and i will still ignore you if it means having your back #and i will never be over this look #just the total openess for a split second before he runs away all pissed off #for getting caught having feelings (via halesparkles)

(Source: blaineisavegetable)

hoechlined:

Do you want your character to become a werewolf?

Apr 9

stilinski parallels

(Source: hoechloin)

Apr 8
bluephoenix52:

knowhomo:

I only met one other homosexual in the army. That was in Le Havre in 1917. We was on the boat coming home. I don’t know how these things work, whether it’s through conversation, or whether it’s the attitude of the individual concerned, but we seemed to come together, see. All of a sudden his arm was round my neck and this, that and the other, and then, of course, one thing led to another. And that was Phil, my affair that I had for seven years. When I come out of the army we stuck together. I was living at the time in Ilford. I rejoined the army in 1920, then I went out to Germany. I was living with Phil at the time and I saw him when I came home on leave and we kept a flat together. I was in the army because the army was my life at that period. He was somebody just like a wife to come home to…
… I don’t think our friends or family knew, yet they had a very good suspicion. Phil and I often talked about it, only he said, well, he says, as long as we love each other, what’s it to do with other people? And that was the true situation.
Text: First person account as told by Gerald, born 1892, Norfolk, England.  Excerpted from Between the Acts: Lives of Homosexual Men 1885-1967, Jeffrey Weeks and Kevin Porter (eds)
(story found thanks to: www.woolfandwilde.com)

“As long as we love each other, what’s it to do with other people?” 

bluephoenix52:

knowhomo:

I only met one other homosexual in the army. That was in Le Havre in 1917. We was on the boat coming home. I don’t know how these things work, whether it’s through conversation, or whether it’s the attitude of the individual concerned, but we seemed to come together, see. All of a sudden his arm was round my neck and this, that and the other, and then, of course, one thing led to another. And that was Phil, my affair that I had for seven years. When I come out of the army we stuck together. I was living at the time in Ilford. I rejoined the army in 1920, then I went out to Germany. I was living with Phil at the time and I saw him when I came home on leave and we kept a flat together. I was in the army because the army was my life at that period. He was somebody just like a wife to come home to…

… I don’t think our friends or family knew, yet they had a very good suspicion. Phil and I often talked about it, only he said, well, he says, as long as we love each other, what’s it to do with other people? And that was the true situation.

Text: First person account as told by Gerald, born 1892, Norfolk, England.  Excerpted from Between the Acts: Lives of Homosexual Men 1885-1967, Jeffrey Weeks and Kevin Porter (eds)

(story found thanks to: www.woolfandwilde.com)

As long as we love each other, what’s it to do with other people?”